Monday, 12 July 2010
Wednesday, 7 July 2010
LES JARDINS BY ARNE QUINZE
4
Not only has Arne Quinze played an important role in the public art segment of the summer festival Rouen Impressionnée with Camille, the wooden structure that spans the Boieldieu bridge, but he has painted a series of modern impressions inspired by Claude Monet and the water lilies of Giverny. These re-interpretations of the peacefulness of Monet's gardens come to us through the movement of Quinze's strokes and splatters. The thirty new canvases are on exhibition in the impressive space of the L'Abbatiale de Saint-Ouen.
Artist: Arne Quinze
+ arnequinze-camille.fr
+ arnequinze.tv
The exhibition takes place at the Abbatiale Saint-Ouen in Rouen through August 29, 2010.
Sunday, 4 July 2010
MATT JOHNSTONE
Matt grew up in the Sussex countryside in a village calledSteyning. Since graduating from Central St. Martin's College of Art & Design Matt works as an illustrator based in London and has illustrated for clients such as Drink in Brighton, Nokia andPenguin Books. Matt has been illustrating for The Guardiannewspaper since May 2007, producing monthly drawings for the sport section. He uses pencil, pen and ink to create his drawings that have a humorous almost cartoon style but often have thought provoking surreal undertones, his work has been described by clients as 'technically charming'. Matt is represented in the UK by Jelly London.
Friday, 2 July 2010
Thursday, 24 June 2010
Wednesday, 23 June 2010
Female Identity by Alicia Ross
Alicia Ross, a New York base artist, her works has evolved to encompass various facets of female identity using photography, fiber, video and installation.
From the interview with art:21, she said: "I'm more interested in exemplifying the conflict rather than choosing sides. In my series of Samplers and Motherboards, I tried to blur the line between female figures, by removing them from their context and allowing the viewer to distinguish between acceptable and unacceptable or private and public. By making the images startling or impressive I feel the intended question becomes more obvious to the viewer."
see more of Alicia's work from http://www.aliciaross.com/home.htm
Alicia's interview with art:21: http://blog.art21.org/2009/11/11/four-questions-with-alicia-ross/
From the interview with art:21, she said: "I'm more interested in exemplifying the conflict rather than choosing sides. In my series of Samplers and Motherboards, I tried to blur the line between female figures, by removing them from their context and allowing the viewer to distinguish between acceptable and unacceptable or private and public. By making the images startling or impressive I feel the intended question becomes more obvious to the viewer."
see more of Alicia's work from http://www.aliciaross.com/home.htm
Alicia's interview with art:21: http://blog.art21.org/2009/11/11/four-questions-with-alicia-ross/
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